Folk in the Barn
Gig Diary

St Agnes Fountain - SOLD OUT

Wednesday 13th December 2017

Canterbury Cathedral Lodge

Albion Christmas Band - SOLD OUT

Tuesday 19th December 2017

Gulbenkian, Canterbury

Ewan McLennan

Sunday 7th January 2018

The Black Robin Inn, Kingston, Canterbury

Fraser Nimmo

Sunday 14th January 2018

The Black Robin Inn, Kingston, nr Canterbury

Miranda Sykes

Sunday 21st January 2018

The Fitzwalter Room, Goodnestone Park, Canterbury

GIG DIARY

Harpeth Rising

Sunday 27th September 2015

The Black Robin Inn, Kingston, Canterbury


Doors 7pm for 7.30pm start  

(NOTE LATER THAN USUAL START FOR THE BLACK ROBIN GIGS)

Tickets 
£12 online
£13 cash or cheque in advance
£14 on the door 




Check out their fabulous new album here......

HARPETH RISING chose to name themselves after a river because water is both dynamic and powerful. These words also describe the music created by the three women – Jordana  Greenberg, Rebecca Reed-Lunn and Maria Di Meglio. Unapologetic genre-benders, they fuse Folk, Newgrass, Rock and Classical into a sound that is organically unique.

Hallmarks of their music include expansive three-part harmonies, consummate musicianship and a deft, yet soulful lyrical perspective. Harpeth Rising’s roots run deep – from their varied ancestry across Eastern Europe to the musical hotbed of the Mid-South they now call home, they weave together ancient and modern ideas, creating a sound that is both familiar and impossible to categorize. “We don’t set out to create something different, we just write in a way that is true to ourselves while 
rying to always expand and explore the new influences in our lives.” says Greenberg. “We’re aware of genre divisions, we’re just not bound by them.” 

After meeting at the Indiana University Jacobs School of Music, where all three members earned performance degrees, Harpeth Rising began on a cross-country road trip. Inspired by a summer spent jamming at campsites and attending folk and bluegrass festivals, Greenberg violin) and Reed-Lunn (banjo) decided to pursue a slightly different path than their classical backgrounds would suggest. They began writing original songs and performing 4 to 5 nights a week, developing their sound and their repertoire. It was with the addition of Di Meglio (cello) that the lineup was complete, and the three women piled into a Prius and began to tour.

Despite the presence of only three string instruments on stage, Harpeth Rising produces a profusion of sound generally created by a much larger ensemble. From breathtaking energy to intimate connection, their live performances are kinetic events in which their passion and their abilities are equally displayed. Harpeth Rising can create a listening room from a rowdy bar crowd, and can inspire even the weariest of audiences.  
After only a few months as a band, they embarked on tour of England, which included a performance with The Bath Philharmonia. They were invited to perform at The Cambridge FolkFestival the following summer, and have since played festivals across England and the United States, including The Kerrville Folk Festival, ROMPfest, Blissfest, The Fylde Folk 
Festival, The Purbeck Folk Festival and dozens more. Building their fan base in the tradition of all wandering minstrels - passionately and by word-of-mouth - they now perform to sold-out audiences internationally.

They have released four albums in as many years – Harpeth Rising (2010), Dead Man’s Hand (2011), The End of the World (2012), a collaboration with master wordsmith David
Greenberg (Jordana’s father), and Tales From Jackson Bridge, (2013). Their fifth album, Shifted, is set to release in early 2015.

We at FitB were lucky to catch their performance at Cambridge Folk Festival two years ago and made a mental note to book them as soon as the opportunity arose.  This is a very special musical combo – really one not to miss.

www.harpethrising.com



- Date Added 18/09/2015